The Chronicles of Lord Asunaro will take you to feudal Japan, where you will meet Lord Asunaro, an extraordinary anti-hero. On the one hand, you will meet a character you will love in an instant, and you will witness the change in Japan.
According to the author, Lord Asunaro, who is based on a real historical figure, is far from being a great lord as expected of him. He is despised by his father and leads a very isolated life in the palace. After losing his mother, he is raised by his nurse. But everything will change as he grows old and steps into the real world out of the palace. And we’ll get to see the change in both Lord Asunaro and Japan. You’ll enjoy this if you like reading about Japan.
The Chronicles of Lord Asunaro
A Japanese tale – not about daring ninja or battling samurai – but a hero with a very different penchant. Based on an actual historical figure, the Akutagawa-nominated master short story writer, Kanji Hanawa, takes the reader on a journey of self-discovery, as Lord Asunaro inherits his own Japanese fiefdom and grapples with his role and ultimate legacy. Hanawa provides us with an unusual and entertaining perspective on the psychology of change within Japan when it was still ruled by its men of steel, samurai and shoguns. As Japan emerges from the conflict-ridden era dominated by infamous warlords into a golden age of plenty, a young lord – heir to a vast domain and incumbent ruler of all he surveys – lives deep within a spiralling castle.
From the pen of Hanawa, this cleverly spun tale features our young Lord Asunaro, a ‘warlord’ who doesn’t fit the brave samurai stereotype, as he faces a modernising world where learning now outvalues military prowess. Carrying the legacy of his bloodline, he is compelled to find his place among the great figures of his ancestors. Hanawa’s charming story, The Chronicles of Lord Asunaro is translated by Meredith McKinney, and takes the reader back to life and leadership in feudal Japan – while also exploring universal themes of legacy, inheritance, expectations, the weight of history and the psychology of change.
Kanji Hanawa is a master of the short story. He has written several hundred since he published his first collection, Garasu no natsu (Glass Summer) to critical acclaim in 1972. In 1962, after graduating from Tokyo University, where he studied French Literature, he spent a few months in Paris, his only stay in the county to whose literature he has dedicated much of his life.
Reading this book contributed to these challenges: